A once-troubled teen among finalists for prestigious music competition

She is up against Oliver Shermacher, a 23-year-old clarinetist from Marrickville, and Kevin Chow, a 21-year-old pianist from Perth, in the country’s most prestigious multi-instrumental competition for young classical musicians, with first prize worth $80,000.

Shermacher is living inspiration for anyone who learned recorder at school. His musical education began with that humble instrument.

“My kindergarten teacher thought that was something we should all be doing,” he said. “I always loved it then changed to clarinet when I was 10 because it looked the most like a recorder.”

His advice for anyone starting out on recorder? “Stick with it,” he said.

Chow, who started playing at the age of five and practises for up to five hours a day, was a late inclusion in the semi-final after violinist Anna Da Silva Chen broke her wrist when she fell while jogging.

“I’ve always loved the piano,” he said. “The repertoire of piano is insanely huge.”

The manager of competition organiser Music and Opera Singers Trust, Amelia Gledhill, said the award has been significant in the music industry for decades.

“If you’ve won it, it’s a real signal that you’re probably going to be one of the leading musicians of your generation in Australia,” she said.

Past winners include pianist Roger Woodward, whose victory over David Helfgott features in the film Shine, pianist Simon Tedeschi, cellist Li-Wei Qin and percussionist Claire Edwardes.

This year’s three finalists, who seemed more friends than rivals as they prepared for the competition, agreed that determination, dedication and lots of practice were key to musical excellence.

The young musicians with their instruments: Kevin Chow, Emily Sun and Oliver Shermacher.

The young musicians with their instruments: Kevin Chow, Emily Sun and Oliver Shermacher.

Photo: Jessica Hromas

“My friends in the workforce get weekends and they have time off,” Sun said. “I don’t know what a weekend is.

“I’ve never gone on holiday without bringing my violin because I’ll still want to play a couple of scales every day. I don’t know what time off really means.”

Added Shermacher: “The whole idea of people being talented or a natural at music, no,” he said. “They’ve just worked well and worked hard.

“I take my instrument everywhere. I’ve been on cruises – a fun tropical holiday – and I’ll still take my clarinet and practise in my cabin.”

Garry Maddox is a Senior Writer for The Sydney Morning Herald.

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